Song 4: 8 Mar 2013
Yet another O P Nayyar number to showcase the seductive charm of Asha's voice and who better to compliment it on screen but Mumu herself. Now Mumtaz was a cutie and hottie rolled into one and yet seemed totally unaware of her own charisma. I also admire the way Asha had perfected the art of those champagne laughs and giggles in between which I am sure are not that easy to record impromptu. The lyrics written by Majrooh went with the norm those days where even a night club dancer used very formal and refined expressions such as aaiye, dikhlaiye, farmaiye. Too bad these so called bad girls never got the guy in the end but usually would get eliminated half way through so that he could go back to his sati savitri heroine. Infact I marvel at these guys too who had perfected the art of looking totally detached, no-nonsense and sullen through all the heave- hoing the poor club dancer was upto with a lot of effort and sincerity!!!;-))
Yet another O P Nayyar number to showcase the seductive charm of Asha's voice and who better to compliment it on screen but Mumu herself. Now Mumtaz was a cutie and hottie rolled into one and yet seemed totally unaware of her own charisma. I also admire the way Asha had perfected the art of those champagne laughs and giggles in between which I am sure are not that easy to record impromptu. The lyrics written by Majrooh went with the norm those days where even a night club dancer used very formal and refined expressions such as aaiye, dikhlaiye, farmaiye. Too bad these so called bad girls never got the guy in the end but usually would get eliminated half way through so that he could go back to his sati savitri heroine. Infact I marvel at these guys too who had perfected the art of looking totally detached, no-nonsense and sullen through all the heave- hoing the poor club dancer was upto with a lot of effort and sincerity!!!;-))
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